Spida wrote: ↑Sun Oct 01, 2023 10:36 am
You can hypothesize that everything that ever was, and everything that ever will be, exists in some form now as we speak, and we are just at some arbitrary location within this infinite sea of eternity - some terms here are contradictory.
I'm not seeing the contradiction, but I think there is an unfounded assumption.
"... we are just at some arbitrary location ... "
"... we are
just at some arbitrary location ... "
"just" aka "only" is the assumption.
Supposing time-travel is possible, then that would mean the past and future does in fact exist right now at this moment, and even if this were true, it only accounts for a single universe(a single timeline) within the infinite sea(or chain) of universes, and with multiverse theories aside, you cannot traverse the timelines from one universe to the next, or the one before, because only one universe(or timeline) can physically exist at any given time.
why assume that "travel" is limited to "physical"? if not then, it is no longer limited to the single time-line. many-worlds can be explored once this limitation is ... abandoned.
Blackboard Analogy : One Day Equals One Universe (or Timeline)
Take a blackboard for example as one analogy. One day things are written or drawn as creations on it; the next day they are erased and new things are written or drawn.
What can be said of the things that are erased, and of the things yet to be drawn?
That's one model, but not the only coherent model.
I prefer a different analogy where nothing is erased. Each opportunity spawns a new timeline. All of the timelines collectively are many-worlds. Just as there are many-worlds, there are many versions of me. When I make a choice, I am choosing which timeline is "here-and-now". This resolves the conflict between free-will and determinism. Both are happening simultaneously from the infinite perspective. The conflict is produced when the multiple versions of "me" are neglected, and the multiple timelines are neglected, and it is assumed that a choice / opportunity cannot be "written" into the story along with the multiple outcomes.
On the other hand, one might say that the only thing that exists in actuality is the present(the moment), and the only thing that lends credence to the existence of past and future events(even transcending universes) is our ability to conceptualize these events.
The Baal-Shem-Tov taught, "you are where your mind is". If so, perspective is key.
Forest-and-Tree, Nation-and-Citizen, Law-and-Exception, General-and-Particular... Zooming-out-And-Zooming-in....
Zooming-out-And-Zooming-in... like Ezekiel's vision of the divine chariot.
Seeing both sides simultaneously is like dancing with two different partners. It feels wierd and it's not easy to do. The inclination is to turn away from one, and face the other, and then flip back. There's nothing wrong with that. In fact, it's required in order to learn to dance at all. That's why the concepts are broken out into a sequence, seperated in space and time. But rapidly fliipping back and forth is what produces the inner-conflict / contradiction / discord / cognitive dissonance. Once they are uniited annd considered from both perspectives simultaneously, the conflict is resloved. Not into oblivion; the opposing perspectives are **harmonized**. They are united in tension, like a stringed instrument, like an atomic bond.
Dancing with one partner whose rhythm is classic 2/4, ( like a marching band, like Abba ) and simultaneously dancing with an other whose rhythm is 5/4, ( the Mission Impossible theme song, Rush's Jacob's Ladder ), is in a small way, like considering the infinite while living in a finite existence. It CAN be done, and It CAN be fun. First one practices dancing with Abba ( a marching band, the finite perspective ), then, hopefully, they advance to Rush. Then through mutual understanding, one can dance with both simultaneously without stepping on anyone's toes.
One might even posit that a higher power is aware the totality of the past, present, and future contents of the blackboard, but that it just hasn't played out yet.
Once the book has been composed the author is aware of the contents in its entirety. The author has also, likely, composed various other renditions of the story. The finite author would not have completed these alternate story-lines. However, an author which is infinite would complete all the possible story-lines as a consequence of conceiving just one.
If I construct a simple story about a bird named pat who falls from its nest. I have also constructed a host of other stories where pat is { ... not a dog, not a cat, not a tree, not a shrub, not a child, not a martian, etc.... }. I have also contructed a story where the bird is named: { ... not les, not ray, not jo, ... }. I also created a story where pat does: { ... not stay in the nest, not go to college, not learn to fly ... }.
These negations happen automatically in the human mind when contructing a story, and it is somewhat beyond awareness. But it's still happening.
From the infinite perspective, all of these story-lines are established concurrrently and instantaneously. The characters, plot, choices, conflicts, resolutions all vary, but are not entirely disjointed. From the finite perspective they are conceptualized as negations. But from the infintie perspective, they are just alternate stories, spin-offs, what-ifs, and cross-overs which are no less real than any of the others. However, there will be key "concepts" of great significance which are repeated. With in each story, they are repeated. Among all the varying story-lines, in the many worlds, below and above... these are archetypes, "angels", "demons", "gods", "heroes", "villians", etc...
The infinities involved here are quite ineffable though when it comes to eternity and hypothesizing that all events pertinent to an eternal construct can be known or exist in some way when we are conceptualizing that without beginning or end.
Agreed. If the concepts are approached and
respected, that's different than "knowing" them intimately. Knowing is a version of intimacy. They can be understood, but not known. Understanding, imo, is the path to peace and harmony. Both inner conflict, and among others. Mutual understanding produces peace. Mutual understanding produces harmony. Music is a great example of this. But even more simply, any two neighbors having a border dispute can resolve the conflict through mutual understanding without intimate knowledge of each other. This is the foundation, root, of respect [gevurah]. Mutual understanding of boundries.
So, the "rider" hops onto the chariot, and goes for a ride. First descending through the other-worlds, of nearly infinte negations. Then ascends on the return course approaching the infinte. The peak of its journey is not nullifying within the source, but instead it's peak is the endless "station", without-limit, which includes the nearly limitless negations but they are understood from a different perspective. The rider, remains in the chariot, does not, forgive me, "penetrate" the station in a manner which could be described as "knowing". They remain inside the chariot.
Ezekiel's vision, the original source for mercavah mysticism (
in reverse ) Notice. There is a wheel within a wheel. The rider ( who is themself a wheel, a chariot, in the micro ) does not depart from the chariot ( which is a wheel in the macro ).
1:16
The appearance of the wheels and their work was like the color of an emerald; and the four had one likeness; and their appearance and their work was as it were a wheel in the middle of a wheel.
1:15
And as I beheld the living creatures, behold one wheel upon the earth by the living creatures, with his four faces.
1:14
And the living creatures ran and returned like the appearance of a flash of lightning.
1:13
As for the likeness of the living creatures, their appearance was like burning coals of fire, and like the appearance of torches; it flashed up and down among the living creatures; and the fire was bright, and from the fire went forth lightning.
1:12
And they went everyone straight forward; where the spirit would go, they went; and they turned not when they went.
Wheel in wheel, it flashes up and and down. Up and down can also be inner and outer.
Jacob's ladder:
28:11
And he lighted upon a certain place, and remained there all night, because the sun was set; and he took of the stones of that place, and put them for his pillows, and lay down in that place to sleep.
28:12
And he dreamed, and behold a ladder set up on the earth, and the top of it reached to heaven; and behold the "messangers of elohim" ascending and descending on it.
This is from the ceiling of Grand Central Station: The immortal wheels and the the twin-serpents repeated 6 times each. The masons know what to do. I took these photos over the summer while I was visiting New York. There's so much amazing stone work there. Apologies for the poor quality; I'm not a photographer.