Original post: Quados_Amundae
I was unsure where to post this inquiry, as I am searching for a supplement to my pathworkings as a Qabalah self-initiate.
I've been browsing the net for a potential program that can translate notes and harmonics corresponding to chakras into an onscreen example of astral vibration, ex. play my guitar and watch the notes play out on a chakra diagram on the computer. Once I find this, I'd like to record music and demonstrate pathworkings through stereo form, left and right channels, if you will.
Upon discovery of this program, if it does indeed exist, I'd like to create/invent a small battery operated object resembling a body with chakras that responds to music and displays it. Or, even go more complex and attune it to the left and right stereo channels, to display the tree of Sephiroth. In essence, a guidance tool for the interpretation of music and harmony as it relates to its influence on astral bodies and fhqwhgads-like patterns. But I thought of it first. So it's so mine. Ha. (perhaps) In the case that it does exist, and you can show it to me, I'll owe you a cookie.
After about 5-6 months spiritual awakening, I'm feeling my music toy with my chakras, and would like to take control of the paths, to understand more fully what the artist(s) are conveying, and to become more elaborate in songwriting.
I've played guitar for 4+ years, and have been psycho/metaphysically analyzing my old songs, and gotten a real feel for the emotions behind the music at the time of writing. Most of them don't have words, but upon my discovery of chakras and their correspondence to notes, meditation on the music brings me back to the moment in which I wrote the song, and tells me more than I'd ever expect that I was expressing.
Any input would be helpful.
-Q'A-
Visualization program for chakras/Sephiroth pathworking
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Visualization program for chakras/Sephiroth pathworking
Original post: Unseen32
Extremely interesting thoughts, I hope you succeed, best of luck. I wish I had more to say about this, but I know next to nothing about the Sephirot and Kaballah, Qaballah, except that it has roots in Judaic mysticism.
Extremely interesting thoughts, I hope you succeed, best of luck. I wish I had more to say about this, but I know next to nothing about the Sephirot and Kaballah, Qaballah, except that it has roots in Judaic mysticism.
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Visualization program for chakras/Sephiroth pathworking
Original post: LSVPA
In the GD system of magic there are note references to each sphere on the tree, as well as to to the LBRP and KC and, through Regardie, The MP. By association, one could easily expand the Corresponding note of each sphere into to include the Chord, and paths connecting two speres could easily be either the middle note of the two spheres, or a compound chord such as C/G.
Alternately, one could easily render each note into a square or a triangle based on its wavelenght, in which case a pure note or chord would be heard as an audible square and a compound note/chord would be heard as a resonance pattern. Although this seems like a complication on the matter, if one already has the feel for rhythm, but not perfect pitch, it helps to immediately identify the difference between, for example, Csus7 and AM by tempo and not tone. Make sense?
Yes, it has already been done, extensively, although under different names, such as through binaural rhythm programs and chakra attuning CD's. The connection between sound and mental state in ceremonies goes back a long ways, as is evident by items such as tibetan bells.
This is something I have explored in the past, although I find that rendering everything into white noise based upon frequency gives a much more profound effect, but requires a deeper level of concentration, which is hard to achieve with tonal values without being swept up into what is being heard.
Good luck with all of this. I do suggest you first determine note values for each sphere, and then create two sound files using white noise: one for the lighting flash, the other for the snake. They both apparently sound the same, but will yield drastically different effects.
In the GD system of magic there are note references to each sphere on the tree, as well as to to the LBRP and KC and, through Regardie, The MP. By association, one could easily expand the Corresponding note of each sphere into to include the Chord, and paths connecting two speres could easily be either the middle note of the two spheres, or a compound chord such as C/G.
Alternately, one could easily render each note into a square or a triangle based on its wavelenght, in which case a pure note or chord would be heard as an audible square and a compound note/chord would be heard as a resonance pattern. Although this seems like a complication on the matter, if one already has the feel for rhythm, but not perfect pitch, it helps to immediately identify the difference between, for example, Csus7 and AM by tempo and not tone. Make sense?
Yes, it has already been done, extensively, although under different names, such as through binaural rhythm programs and chakra attuning CD's. The connection between sound and mental state in ceremonies goes back a long ways, as is evident by items such as tibetan bells.
This is something I have explored in the past, although I find that rendering everything into white noise based upon frequency gives a much more profound effect, but requires a deeper level of concentration, which is hard to achieve with tonal values without being swept up into what is being heard.
Good luck with all of this. I do suggest you first determine note values for each sphere, and then create two sound files using white noise: one for the lighting flash, the other for the snake. They both apparently sound the same, but will yield drastically different effects.